The Conversion of Saint Paul (tapestry)

The Conversion of Saint Paul (tapestry)
1515–1516 Wool and silk tapestry Renaissance Raphael Gallery of Tapestries

After Raphael’s cartoon and woven in Brussels by Pieter van Aelst, this tapestry turns Acts 9 into high drama. A diagonal cascade—rearing horse, falling Saul, startled retinue—funnels toward the source of blinding light, where the risen Christ appears in glory. Architecture stabilizes the shock while a rich grotesque border frames the scene like a portable triumphal arch. The design shows Raphael’s knack for clarity in motion, translated into glowing wool and silk.

Visiting Tips

Stand several meters back and slightly off-axis to see the diagonal fall and to catch the silk’s changing sheen in the light.

Why This Artwork Is Important

  • Key panel from the celebrated Sistine Chapel tapestry cycle after Raphael.
  • Exemplifies how High Renaissance composition adapts to textile—motion, depth, and sheen woven into thread.

What to Look For

  • The foreshortened horse rearing over the fallen Saul.
  • Radiating light and the apparition of Christ above.
  • Soldiers shielding their eyes; lances and standards tilting with the shock.
  • Grotesque borders with putti, fruits, and medallions enclosing the drama.

Fun Fact

Sets of these tapestries were hung in the Sistine Chapel only on great feasts—their silk threads were prized but light-sensitive.

Last Minute Offers

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