Le figlie di Loth III (Lot's Daughters III)
In his post-Futurist turn, Carrà adopts a metaphysical quiet—monumental figures simplified into clear volumes, muted earth colors, and a timeless setting. The biblical subject is treated with reserve: gestures slow, space architectural, emotion interior. It’s Novecento classicism in embryo, trading velocity for weight and ritual poise.
Why This Artwork Is Important
- Marker of Carrà’s shift from Futurism to a sober, classical modernity.
- Novecento sensibility: simplified volumes, archaic calm, and moral gravity.
What to Look For
- Blocky, sculptural bodies outlined with clean contours.
- Muted palette—ochres, stone greys—creating temporal distance.
- Still, stage-like space that reads like a relief come alive.
Fun Fact
By 1920 Carrà was writing as much as painting—his theory of ‘return to order’ shaped Italian classicizing trends.
Last Minute Offers
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