Large Gold Fibula (Regolini-Galassi Tomb)

Large Gold Fibula (Regolini-Galassi Tomb)
650–600 BCE Gold fibula (brooch) Middle Ages Gregorian Etruscan Museum

This monumental fibula comes from the princely Regolini–Galassi tomb at Cerveteri, a key Orientalizing-period burial. The goldsmith used granulation—solderless arrays of tiny gold beads—to spin rosettes, borders, and animal bands across the surface. Striding lions, a Near-Eastern royal motif, march along the bow, while waterfowl and rosettes enrich the plate below. The scale is striking: not a practical fastener but a prestige emblem worn on sumptuous textiles. Its technique, iconography, and tomb context reveal the Etruscans’ Mediterranean connections and their mastery of precious-metal craft. Seen up close, the piece reads like a micro-mosaic in gold: thousands of specks fused into patterns that turn light into status.

Visiting Tips

Use raking light: shift your angle to see how the granules sparkle and ‘draw’ the motifs.

Why This Artwork Is Important

  • Masterpiece of Etruscan Orientalizing goldwork from a princely tomb context.
  • Benchmark example of granulation—microscopic gold beads fused into motifs.
  • Near-Eastern animal imagery (lions, waterfowl) evidences wide cultural links.

What to Look For

  • Striding lions marching along the curved bow.
  • Carpet of granules forming rosettes and borders.
  • Waterfowl and geometric bands on the catch plate.
  • Oversized scale—more regalia than functional clasp.
  • Pin, spring, and catch engineered in solid gold.

Fun Fact

Some granules are smaller than poppy seeds—fused without modern solder by ancient goldsmiths.

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